Being John Malkovich
|Being John Malkovich|
Theatrical release poster
|Directed by||Spike Jonze|
|Produced by||Michael Stipe|
|Written by||Charlie Kaufman|
|Music by||Carter Burwell|
|Edited by||Eric Zumbrunnen|
|Distributed by||USA Films|
|Box office||$32.4 million|
Being John Malkovich is a 1999 American fantasy comedy film directed by Spike Jonze and written by Charlie Kaufman, both making their feature film debut. The film stars John Cusack, Cameron Diaz, and Catherine Keener, with John Malkovich and Charlie Sheen as themselves. The film follows a puppeteer who finds a portal that leads into Malkovich's mind.
Craig Schwartz is an unemployed puppeteer and in a forlorn marriage with his pet-obsessed wife Lotte in New York City. He gains employment as a file clerk with LesterCorp, and develops an attraction with his co-worker Maxine Lund, but she does not return his affections.
One day while filing, Craig discovers a small door hidden behind some filing cabinets. He crawls through it into a tunnel, and suddenly drawn to its other side, where he finds himself in the mind of actor John Malkovich. After about 15 minutes, Craig is suddenly ejected, and falls back into the real world on the side of the New Jersey Turnpike. Craig shows Maxine the door, and after she experiences the same events, comes up with the idea of selling the experience for profit. Among those paying for the experience is Lotte, and she becomes obsessed with it, as it lets her live out her transgender desires, which she shares with Maxine. Maxine manipulates Malkovich so that they have sex while Lotte is in his mind, and the two continue to conspire similar events. Craig, forsaken by both women, locks Lotte in a cage and enters Malkovich's mind during one of Maxine's sexual encounters with him.
Craig soon discovers that through his puppeteering skills, he is able to exert some control over Malkovich; the actor, already feeling wary about people watching him, becomes more paranoid that someone is controlling him. Malkovich consults with his friend Charlie Sheen, who suggests he follow Maxine. Malkovich follows Maxine to work and discovers the door; entering it, he finds himself in a world where everyone looks like him and says only "Malkovich", before he is ejected. Malkovich demands Craig stop use of the door, but Craig refuses. Instead, Craig discovers he is able to indefinitely stay within Malkovich's mind, and spends the next eight months there, during which he makes Malkovich into a world-class puppeteer and has him marry Maxine, who is pregnant.
Meanwhile, Lotte escapes confinement and warns Maxine of Craig taking her place during her last encounter with Malkovich, but Maxine does not seem concerned. Lotte tracks down the owner of the building and meets the founder of LesterCorp, Dr. Lester. Lester knows of the doorway, and explains that the person at the end becomes "ripe" on turning 44, allowing for others to permanently occupy that host's mind; after that point, the end of the doorway moves onto another host, a newborn child, and those entering it then will become trapped in that unformed mind. Lester and several of his elderly friends plan to occupy Malkovich. Lotte warns them about Craig's current control of Malkovich. With Malkovich's 44th birthday soon approaching, Lester makes a deal with Maxine to get back at Craig. Lester's group fakes Maxine's kidnapping, and call Craig via Malkovich to demand he leave or they will kill Maxine, but Craig initially refuses. Lotte loses hope and attempts to kill Maxine at the doorway; they both fall through, falling into Malkovich's shame-ridden subconscious before ejected. Maxine pleads with Lotte that her child was from when Lotte had been in Malkovich's mind, and Maxine had kept it to show her love for Lotte. The two cement their love for each other.
Craig comes to believe Maxine is in danger and voluntarily leave Malkovich's mind, which Lester and his friends then enter. Craig finds Maxine romantically engaged with Lotte, and decides to get revenge and reenters the door to take back Malkovich's mind. However, too late, he finds that the end of the doorway has passed on, and Craig finds himself trapped in the mind of a newborn girl.
Seven years later, an elderly Malkovich tells Sheen about his plan to extends their lives via the door which leads to the mind of Emily, Maxine's child and whom Craig is permanently trapped in, forced to watch Lotte and Maxine living happily together.
- John Cusack as Craig Schwartz
- Cameron Diaz as Lotte Schwartz
- Catherine Keener as Maxine Lund
- John Malkovich as John Horatio Malkovich
- Orson Bean as Dr. Lester
- Mary Kay Place as Floris
- Charlie Sheen as himself
- W. Earl Brown as First J.M. Inc. Customer
- Carlos Jacott as Larry the Agent
- Willie Garson as Guy in Restaurant
- Byrne Piven as Captain James Mertin
Kaufman's idea of Being John Malkovich originated simply as "a story about a man who falls in love with someone who is not his wife." Gradually he added further elements to the story which he found entertaining, such as floor 7 1⁄2 of the Mertin Flemmer building; among his first ideas, Malkovich was "nowhere to be seen". He wrote the script on spec in 1994 and though it was widely read by production company and film studio executives, all turned it down. Hoping to find a producer, Kaufman sent the script to Francis Ford Coppola, who passed it on to his then-son-in-law Spike Jonze.
Jonze first read the script in 1996 and had agreed to direct the film by 1997. Jonze brought the script to Propaganda Films, which agreed to produce the film in partnership with production company Single Cell Pictures. Single Cell producers Michael Stipe and Sandy Stern pitched the film to numerous studios, including New Line Cinema, who dropped the project after chairman Robert Shaye asked: "Why the fuck can't it be Being Tom Cruise?". Jonze revealed in a September 2013 interview that Malkovich asked him the same question during their first meeting and also relayed Malkovich's attitude after filming commenced:
Either the movie's a bomb and it's got not only my name above the title but my name in the title, so I'm fucked that way; or it does well and I'm just forever associated with this character.
Jonze explained in the same interview that he didn't realize how brave Malkovich's performance in the film was.
With a budget of $10 million, principal photography of Being John Malkovich began on July 20, 1998, and continued through August. Filming took place primarily in Los Angeles; specific locations included the University of Southern California campus and the Observation Bar on board the RMS Queen Mary.
The puppets in the film were created by Kamela Portuges and Images in Motion. Phillip Huber animated the puppets.
Diaz's make-up artist Gucci Westman described styling Diaz in the role as "a challenge, to make her look homely." The script included minimal physical descriptions of characters, and thus when Diaz took up the role she did not know that "people weren't going to recognize me."
Cusack read the film's script after he had asked his agent to present him with the "craziest, most unproduceable script you can find." Impressed with the script, he asked his agent to follow its progress and book him an audition, with which he won the role.
Keener cited Being John Malkovich as an instance of her taking up a role based on the director's previous work. She had heard about Jonze's experience with music videos and took up the part of Maxine although she initially disliked the character and did not feel that she was right for the part.  She was subsequently nominated for an Oscar.
Kaufman said that there was never another actor in Malkovich's place in the script: "The screenplay was always "Being John Malkovich", even before I had any expectation that John Malkovich would even read the script." He chose Malkovich because he believed there to be "an enigmatic quality about him that works", though Malkovich was partly chosen because of the sound of his name in repetition. Kaufman explained that "When we were thinking of alternatives, we found that a lot of them weren't fun to say." Jonze's then-father-in-law Francis Ford Coppola was able to contact Malkovich, and Jonze flew with producer Sandy Stern to Malkovich's home in France. Stern said that Malkovich was "half intrigued and half horrified" when he first read the script, but he eventually agreed to star in the film.
Spike Jonze makes a cameo appearance as Derek Mantini's assistant; Mantini is billed in the story as the greatest puppeteer in the history of the world and arouses Schwartz's envy. Brad Pitt also has a half-second-long cameo, as a miffed star in the documentary on Malkovich's career, who seems to be on the verge of saying something before the shot ends. Sean Penn appears as himself, a fan of Malkovich's puppeteer work. Film director David Fincher makes an uncredited appearance as Christopher Bing in the American Arts & Culture pseudo-documentary on John Malkovich. Winona Ryder, Andy Dick, and the members of Hanson can be seen in the audience of a Malkovich puppet show.
Being John Malkovich was given limited release in the United States theatres on October 22, 1999, and opened across 25 screens. On its opening weekend, the film grossed US$637,731 across 25 screens with a per-screen average of $25,495. It expanded to another 150 screens the following week, bringing in $1.9 million with a per-screen average of $10,857. In its third week, the film's release widened to 467 locations and grossed $2.4 million, averaging a lower $5,041 per screen with a cumulative gross of $6.1 million. It moved into a wide release the next week, expanding to 591 screens, and grossed $1.9 million with a 20% drop in ticket sales. Its fifth week brought in $2.2 million with a 17% increase in ticket sales, which dropped a further 33% the following week despite further expansion to 624 screens. It finished its theatrical run after 26 weeks with a total gross of $22,863,596.
The film opened in the United Kingdom in March 2000, earning £296,282 in its debut week and closing after fifteen weeks with a total gross of £1,098,927. In France, the film opened in December 1999 with a gross of US$546,000 from 94 venues and went on to further success due to positive reviews and word of mouth. It grossed $205,100 from 109 screens on its opening weekend in Italy and ticket sales dropped by 37% the following week with a cumulative gross of $480,000 from 82 screens. Its German release brought in a total of $243,071. Being John Malkovich had a total foreign gross of $9,523,455, combined with its domestic gross to give an international total of over $32 million.
Being John Malkovich was initially released in 2000 on VHS, both as a regular edition and a limited edition collector's set, and on DVD, with special features including a theatrical trailer, TV spots, cast and crew biographies, the director's photo album and featurettes on floor 7½ and puppeteering. A special edition DVD, released later the same year, included the aforementioned features, an interview with Jonze and two behind-the-scenes featurettes. It was released on HD DVD in 2008. The Criterion Collection released a special edition of the film on Blu-ray and DVD in 2012.
|Being John Malkovich: Original Motion Picture Soundtrack|
|Soundtrack album by |
All tracks are written by Carter Burwell, except where noted.
|1.||"Amphibian" (Mark Bell Mix, written by Björk)||2:47|
|2.||"Malkovich Masterpiece Remix" (Written by Spike Jonze, performed by John Malkovich)||2:22|
|5.||"You Should Know"||0:34|
|11.||"Love on the Phone"||0:46|
|14.||"To Be John M"||1:59|
|16.||"Allegro from Music for Strings, Percussion and Celesta, SZ106" (Béla Bartók)||7:21|
|17.||"Carter Explains Scene 71 to the Orchestra"||0:29|
|18.||"Lotte Makes Love"||1:28|
|21.||"Amphibian" (Film Mix, written by Björk)||4:37|
On Rotten Tomatoes, the film holds an approval rating of 93% based on 133 reviews, with an average rating of 8.13/10. The site's critical consensus reads: "Being John Malkovich is both funny and smart, featuring a highly original script." On Metacritic, the film has a score of 90 out of 100, based on 36 reviews, indicating "universal acclaim." The film ranked 441st on Empire magazine's 2008 list of the 500 greatest films of all time.
In his review, Roger Ebert awarded the film a full four stars; he would later name it the best film of 1999. His comments of praise included: "Rare is the movie where the last half hour surprises you just as much as the first, and in ways you're not expecting. The movie has ideas enough for half a dozen films, but Jonze and his cast handle them so surely that we never feel hard-pressed; we're enchanted by one development after the next" and he also felt that "Either Being John Malkovich gets nominated for best picture, or the members of the Academy need portals into their brains." Another top critic Peter Rainer, writing for New York, commented that "dazzlingly singular movies aren't often this much fun" in his review, and Owen Gleiberman, writing for Entertainment Weekly, called it "the most excitingly original movie of the year."
Malkovich's performance in Being John Malkovich is ranked number 90 on Premiere's "100 Greatest Movie Characters of All Time".
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